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The Cabinet

Thirties: four names, and what they are asked for

One drawer of the cabinet

Four women here are thirty or above, and none of them has any interest in rounding it down. It is the smallest age drawer and the one the house uses most deliberately, because when a message describes a difficult client, a formal room or a guest who has had enough of being agreed with, these are the four names that go back in the reply.

They are not interchangeable. One is drily funny, one is blunt, one is generous and one is exact. What they share is that none of them is performing anything, and all four are noticeably better over a long evening than a short one.

Plate 02

Thirty

Nancy is 170 cm and curvy, golden blonde and blue eyed, with the calm of a woman who has already dealt with most things once. She walks into a hotel lounge as though meeting an old friend, talks well, asks properly and is interested in the answers. She takes dinners and whole nights on Park Lane rather than short calls.

Violetta is 178 cm, tall and slender, black haired and sleek, and drily funny to the point that the joke often lands a second after she has moved on. She is mysterious for about an hour and good company for the rest of the evening, and she is frank that the second hour is worth the first.

Plate 03

Thirty-one

Margo is 166 cm and slim, dark brown and straight, and dresses with a precision that borders on severe. Her English is exact, she reads history, follows the markets out of habit, and has a talent for the one dry remark that ends a subject properly. Her view is that an hour is not long enough to be seen at her best, and she declines short bookings on that basis.

Plate 04

Thirty-two

Sonya is 162 cm and athletic, dark brown, hazel eyed, and direct in a way that saves everybody an hour. Her opinion of a wine, a hotel or a plan arrives briefly and without apology, and she is right often enough that guests give up arguing. Underneath it she is warm and rather protective, particularly of a guest who is out of his depth in a formal room.

Plate 05

What four names is good for

Rooms where something is at stake. All four are on the client dinners and openings or overnight pages, and between them they take the great majority of the bookings this house arranges for an evening that has to go well rather than merely be pleasant.

It is a small drawer and the diaries are the tightest here, largely because guests who book one of the four tend to book the same one again. Two days of notice is sensible, and naming two of the four in one message is faster than writing twice.

Plate 06

Where else the four sit

Two are in brunettes, one in black haired and one in blondes. Two are in slim and slender, one in curvaceous, one in toned and athletic and one in each of petite and statuesque, which is the full width of the tape in four names.

If this drawer is empty on your date, late twenties holds the names closest to it in manner, and its own page says which.

Plate 07

Asking for one of the four

Say what the evening is for, in one line, because with these four that line does more work than the date. Then the date, the hours and the address. The answer names her, gives an arrival time to the minute and a figure in pounds, and nothing is held until you have agreed to all of it.

Tonight

Stand at the rope. We will unhook it.

Send the district, the hour and the length of the evening. A name and a confirmation come back before your first drink is finished.

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