Molly, companion in Sloane Street
Warm first, clever second, and never in a hurry to prove either.
- Age
- 24
- Her district
- Soho
- An hour opens at
- £250
- Arrives
- Suites and private addresses
- Height
- 164 cm
- Hair
- long dark brown, wavy
- Eyes
- brown
- Figure
- curvy
- Languages
- English
About Molly
Molly is warm before she is anything else. At 164 cm she is curvy and brown eyed, and her dark brown hair is long and wavy. She dresses in deep colours, red most often, and she wears them without any sense of costume. She is twenty-four and looks entirely comfortable in a room of strangers, which is a thing that cannot be taught and is obvious within a minute of meeting her.
In English she is easy and direct. She is affectionate company, quick to laugh, and sharper than the first impression suggests: she remembers the details of a story you told an hour ago and will catch you out if you change them. She likes candlelight, old films and the sort of dinner that is still going when the kitchen closes. She is the person a tired guest relaxes around, generally within the first ten minutes.
Her Sloane Street evening starts at The Botanist on Sloane Square, at the foot of the street, where the windows are tall, the room is bright early and the staff are unhurried. It works as a first drink and as a whole evening, which she likes, because plans that must be kept make her restless. She lives in Soho and crosses in fifteen minutes, and she knows the back streets between the square and the hotels along the street. She will take the table by the window and give you the better view without mentioning it.
Longer evenings suit her, as she is at her best after the first hour. She visits hotels and private addresses on Sloane Street itself and in the streets off the square. Write with an hour in mind and the desk answers.
- 164 cm, curvy
- Long dark brown hair, worn waved; brown eyes
- Twenty-four, English speaking
- Candlelight, old films, late dinners
- Lives in Soho, most often booked in SW1
Booking her evening
Molly is comfortable at short notice for a drink and an evening near the square. Tell us if you would rather start early, which is how she prefers it.
Her figures are the house figures, printed in full on the rates page, and the whole arrangement runs in one thread from the first line to the confirmation.
Also on this wall
An evening with Molly
Molly likes an evening to start earlier than most people suggest. Seven at the square, the light still going, the room filling rather than full, and an hour to talk before anyone thinks about a menu.
She is at her best in the second half, when the candles are doing the work and the conversation has stopped being polite. Old films, the things you did not plan to say, the argument about whether the book was better. Afterwards the walk up the street is grand and empty and takes four minutes. At your hotel she is affectionate, unhurried and entirely present, and she never once makes the end of the evening feel like a departure. She leaves the evening exactly where you wanted it and never makes a production of going.
Molly, in her own words
Early start, late finish. The hour before dinner is the one people always waste.
Anything in black and white where nobody explains the plot. I will happily watch one twice.
So I am told, usually by people who arrived saying they were not in the mood to talk. It is usually the ones who arrive apologising for being poor company who talk the longest, and I have never minded doing the first twenty minutes of the work.
Where she sits
In the margin
The remarks card for Molly is still blank, which is usually what discretion looks like. A note appears here only when a guest writes one, she agrees to it, and the house has checked that it reads as a first name, a month and nothing private.